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I suggest you check out their demo that ships installed with the software download. I have to be honest and say that I’ve only still scratched the surface of the full creative power FotoMagico has to offer. Want to get more complex with transitions and some cool trick moves? Again, the power of FotoMagico’s extensive tool set has been almost exactly what I’ve needed to do most anything. If you want simple, neat, and easy, FotoMagico serves the need. Simple slideshows quickly, or quite complex audio and video productions using FotoMagico 4’s extensive tool set. It is a tool designed from the ground up specifically for artists to create slideshows.
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This need is where FotoMagico magically slips into the cracks. But while most of these applications can work with mixed media, most are quite limited in features to use in execution, or are incredibly complex in operation with a steep, non-intuitive learning curve to use them effectively. Adobe Premier, AVID, and Final Cut Pro are the leading video editing suites among many others specifically designed for working with video. There are plenty of photo editing applications, Photoshop being the market leader and most widely known, but applications such as Aperture from Apple, and Adobe’s Lightroom also command a large audience and installed user base. This is a product that has evolved gracefully, thoughtfully through the years, with developers who clearly understand both photographic presentation to an audience and what an artist goes through creating them. As a creative artist, everything I seem to want is right there, waiting for my use. Unlike the very limited slideshow capability built inside Lightroom, the UI and feature toolset of FotoMagico is very robust. While iPhoto has languished in R and D, FotoMagico has continued developing the product and enhancing the feature set, though somewhat flying below the radar of photographers who could best utilize it. I myself switched because of the extra features and the ease of using a slideshow tool that was directly integrated with my image editor. iPhoto took the market by storm: offering a much better audio interface, allowing the use of your iTunes library, with direct editing of the still photographs. Like so many other limited feature software applications that have come quickly to market and then are soon gone, the feature set of that early version of FotoMagico was for the most part incorporated directly into Apple’s iPhoto about a year later. It was simple, easy to use, reasonable priced and functional. It could sort and order still slides, move them in a limited “Ken Burns” style onscreen, and it allowed the addition of a background sound or music track. At that time, FotoMagico provided very basic services. Though Final Cut Pro was out, it was very complex to use as well as cost prohibitive. At the time, there were very few options for photographers to use in creating automated slideshows set to music.
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I discovered FotoMagico in 2006, and purchased my first license after I saw the functions it served.
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FotoMagico brings your photos to life and keeps your audience at the edge of their seats. FotoMagico allows you to create customized slideshows, mixing photos with movies and audio, for a storytelling effect like none other. But first, some background.Ībout FotoMagico 4. For a video overview of FotoMagico 4’s latest features, there is an excellent getting started video on YouTube here: The purpose of this review is to evaluate FotoMagico as a creative tool for Hybrid Storytellers, so we will focus more on the art you can use the product to create, and the workflow process rather than on the actual product features or how they are technically used. This is exactly the type of creative challenge that I love using FotoMagico to solve. Though I found this lens to be in serious need of a good cleaning, lubrication, and adjustment after seeing the download, I decided the subject matter was strong enough, and the story so irresistible, that it was the right material for this review of FotoMagico 4. She had a four year old’s magical smile on her face as she circled that pool time after time, after time. Schneider – Kreuznach Zenzanon – PE – PCS – Super – Angulon 4.5/55 Bronica Medium Format Lens While sitting by the pool, playing with the lens movements and using the pool fence as my reference, a little girl began to ride her bike in circles around the pool.